Openings: Amy Taubin on Sophia Al-Maria : “Becker brilliantly plumbed pop mythologies, from conspiracy theory to stoner lore.” “Bradley’s cartoon line veers into abstraction and out the other side, unscathed.” “Kentridge’s processions are acts of hospitality, ongoing gatherings of people and things on the move.”Ĭlose-Up-Dan Nadel on Joe Bradley’s “Krasdale,” 2016 : Bhabha on William Kentridge’s More Sweetly Play the Dance : “Art should resist all received information aesthetic or otherwise.” But she shows it to us.”ĭonald Judd-a preview of the artist’s newly published writings : One isn’t supposed to know about Snow White’s sex life. “Cantor’s ‘misuse’ of material was her critique. With seven shows in New York this fall highlighting the late artist’s multifaceted practice, the curator of Cantor’s survey at 80WSE discusses the transgressive, trailblazing feminist’s work and legacy: Jonathan Berger talks to Johanna Fateman about the art of Ellen Cantor: “No matter how abstract Herrera’s painting is, no matter how rigorously the composition follows a graph-like logic, it is also a composition that depends on reference to the world out there.” Presenting an exclusive portfolio of the Minimalist master, whose major Whitney survey this fall finally brings the centenarian painter the attention she deserves: “Schwartz abandoned the materiality of paint in her computer art, but it remained a guiding force, a figurative anchor.” Rebekah Rutkoff on Lillian Schwartz and the invention of digital art: To download artguide on your Android device, click here for your iPhone, click here. And get the mobile app for artguide-the art world’s most comprehensive directory of exhibitions, events, and art fairs in more than 500 cities. Download the October issue of Artforum, available now on the iTunes newsstand.

After nothing comes by aidan koch